Art & Life with Linda Emmerman

Today we’d like to introduce you to Linda Emmerman.

Linda, please kick things off for us by telling us about yourself and your journey so far.
I was born and raised in Chicago. As a child, I would draw constantly, and I remember being awed by my early visits to the Art Institute. I distinctly felt a connection to what I saw.

After earning my BS in art at the University of Wisconsin in Madison, and my MFA at the Tyler School of Art in Philadelphia, I embarked on a 40-year teaching career that included Northeast Missouri State University, the Art Institute of Chicago, and Southern Methodist University. Currently, and for the past 30 years, I have been at W.R. Harper College in Palatine, Il., which has allowed me to return to the city I love.

I have shown my work extensively throughout the United States, in both solo and invitational exhibitions, and I am currently seeking new venues.

Can you give our readers some background on your art?
This ongoing series or drawings began by experimenting with non-traditional drawing tools, such as string, screws and paper clips. As I explored the gestures each tool suggested, I found images and marks that were unique to each tool. Although I was stimulated by their less predictable nature, I found I had to strike a balance between turning myself completely over to it, yet exerting enough control to develop an image. I chose to work in black and white to keep focus on the form and structure. Additionally, the indelibleness of India ink presented a precarious “flying without a net” quality that challenged me to respond in dialogue with the piece as it progressed.

As these works built through the accretion of marks they began to resemble structures found in nature. The layering, multiplicity, varied repetition, and concentric designs suggest they are akin to natural forms, paying homage to them without representing any item specifically.

The complex and bold, direct nature of these drawings is a satisfying result as these pieces become provocative, independent life forms.

Any advice for aspiring or new artists?
Making a living as an artist is not an easy row to hoe, so one must be convinced that their interest is so strong they cannot imagine doing anything else. I never expected to become wealthy when I chose this career path, but I can be comfortable.

Selling my drawings is wonderful, but not a dependable source of income. My own financial solution was to pursue a college-level teaching position. I feel fortunate to have held my position for so many years, but as it is only part-time, I supplement my income by working a second job, which is where my health insurance and retirement plan come from. By working two part-time jobs I am able to carve out studio time.

What’s the best way for someone to check out your work and provide support?
Currently, the best place to view my work is on Instagram @lindaemmermanart. I also have a website lindaemmermanart.com. Those who are interested can contact me through either site and if you are in the Chicago area, studio visits can be arranged.

Contact Info:

• Website: lindaemmermanart.com
• Email: lindaemmerman@yahoo.com
• Instagram: @lindaemmermanart

Image Credit:
John Kornick Photography

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